The social media phenomenon is only twelve years old - and has brought about a media upheaval that not even television could compete with radio, radio with newspapers, and newspapers with pamphlets. Why? Well, for the first time, recipients who had previously been bullied by gatekeepers such as journalists and media makers can defend themselves against the know-it-all attitude of paid critics and opinion makers - and form their own opinion of the world as a community. This loss of power by the gatekeepers is making them furious, unfair, and blind.
The creators of culture, literature, film, images, and portugal rcs data videos have also been able to emancipate themselves from the eternal envious people and moaners who sit in many of the chairs of the traditional media through social media. Let's take two very recent examples from the world of culture that show how the public is successfully asserting itself against malicious, employed critics.
In literature, this is the novel "Stella" by Takis Würger, published in January 2019. The entire elite of critics, mostly over sixty, are attacking their "Spiegel" colleague Würger (34) like berserkers. Birgit Walter in the "Berliner Zeitung" has this to say: "The 'Frankfurter Allgemeine' and the 'Süddeutsche Zeitung' are attacking the novel with a rage and force rarely seen. To put it bluntly, let me make a judgement: the novel is not as obscene ("Not even Stella would have deserved that") and complacent as these reviews, in any detail or as a whole." And the NZZ, always at the forefront when it comes to cultural arrogance, also destroyed the novel in its review of January 28th as a "work of the worst kind."